Doctor Who: The Curse of Fatal Death - Wikipedia
Comic Relief: Doctor Who - The Curse of Fatal Death Poster. Before the Doctor can settle down to married life .. Release Date: 12 March (UK) See more» . Doctor Who And The Curse of Fatal Death is a short film commissioned by the BBC for Red Nose Day It was the only live-action Doctor Who I ask only once a year: please help the Internet Archive today. . Publication date Mar 24, That special, entitled “The Curse of Fatal Death,” has been uploaded to BBC's official Doctor Who channel, and you can watch it above!.
A different form of "webcast" is original fiction published exclusively online, with no print version made available. Since approximately a number of original short stories have been published by the BBC online, beginning with The Feast of the Stone featuring the so-called Shalka Doctorand between and the BBC's Doctor Who website periodically featured original fiction featuring the Tenth Doctoras well as a series of Web-exclusive comic strips dubbed the Writers' Comics.
The internet has for years also been a venue for fans to informally share their own original, though unofficial original works namely fan fiction. International availability Edit A controversial aspect of BBC Online's content is that much of it is "geo-fenced" or "geo-locked" the exact term varies so that only users whose computers are recognised as being in the United Kingdom can access it.
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In the early days of the BBC's Doctor Who website, content such as the webcast serials was viewable internationally. Since the show's return to television in and subsequent launch of a redesigned websitemuch of the content — in particular anything with video — has been restricted to UK users only. Reasons given for this include issues involving copyright clearance and license fees for characters and actors appearing in the clips, to the fact that BBC Online's content is generated using funds collected from UK-based TV licence-fee payers.
Dalek sensor bumps on his chest. The Master insists that these are etheric beam locators and they're very firm, but the Doctor mocks him over the sensors' resemblance to breasts.
The Master announces that in exchange he has given the Daleks the secret to controlling a Zectronic energy beam, which will give them power over the entire universe in only minutes! The Doctor delivers his final message to Emma in Tersuran. The Master charges up the beam, but the Dalek Supreme whispers to the Doctor that they plan to exterminate the Master after the beam is active.
The Doctor realises that both he and the Master speak fluent Tersuran, so he farts a warning to him. The Master speaks the message out loud as he receives it for the benefit of the audience, but Emma inadvertently ruins the plan by breaking wind, causing the Master to suddenly start shouting gibberish, which in turn alerts the Daleks as to what's going on.
This gives the Daleks the excuse they need to get rid of the Master, but they accidentally end up shooting both the Doctor and the Zectronic generator instead. The overloading generator is beyond the Master's capabilities to repair; only the Doctor can fix it. Emma is distraught at his apparent death, but the Master reassures her that the Doctor is in his ninth body and has many more lives, as he begins to regenerate.
Doctor Who And The Curse Of Fatal Death
Part four Edit The result of the Doctor's regeneration is a quite handsome, if a bit vain, persona. He confirms that Emma is still very much interested and prepares to leave with her, but the Daleks beg the Doctor to help deactivate the Zectronic beam generator in exchange for his life, to which he agrees as a perfect way to finish his "career.
He goes to try again to deactivate the beam, when another burst of energy causes him to regenerate yet again.
The Doctor and the Master walk off together.
You Were Expecting Someone Else 15 (The Curse of Fatal Death)
The new Doctor, very handsome and charming indeed, is rather embarrassed that he wasted three bodies in under a minute simply because he forgot to unplug the generator first. The full interview makes him come off much better, in part because it sets up the sort of conversation that was actually being had - one that Moffat is quiet for long stretches of. And he comes off much better in it. But why reach for the weak defense.
But the Hartnell era is a mess. The only three writers with any sense of how to structure drama are Whitaker, Spooner, and Cotton. Maybe Lucarotti if you want. Virtually nothing not written by one of them holds together as drama, instead appearing arbitrarily stretched and compressed.
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How good Hartnell was varies by episode and his health. I love almost all of it. The Web Planet is one of my favorite Doctor Who stories not because everyone is wrong about the laundry list of massive flaws but because the thing is so screamingly weird that I love it in spite of its flaws.
Which is something that is important to get out of both the interview and this: Moffat adores all of Doctor Who. And The Curse of Fatal Death is, every bit as much as The Scarlet Empress, a celebration of the sort of unreconstructed and hedonistic sense of wonder that constitutes Doctor Who.