Batman: Arkham - Wikipedia
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Like them, Batman performed his heroic deeds in secret, averted suspicion by playing aloof in public, and marked his work with a signature symbol. Kane noted the influence of the films The Mark of Zorro and The Bat Whispers in the creation of the character's iconography. One day I called Bill and said, 'I have a new character called the Bat-Man and I've made some crude, elementary sketches I'd like you to look at. At the time, I only had a small domino mask, like the one Robin later wore, on Batman's face.
Bill said, 'Why not make him look more like a bat and put a hood on him, and take the eyeballs out and just put slits for eyes to make him look more mysterious? I thought that red and black would be a good combination.
Bill said that the costume was too bright: As Bill and I talked, we realized that these wings would get cumbersome when Bat-Man was in action and changed them into a cape, scalloped to look like bat wings when he was fighting or swinging down on a rope. Also, he didn't have any gloves on, and we added them so that he wouldn't leave fingerprints.
This byline did not originally say "Batman created by Bob Kane"; his name was simply written on the title page of each story. The name disappeared from the comic book in the mids, replaced by credits for each story's actual writer and artists.
In the late s, when Jerry Siegel and Joe Shuster began receiving a "created by" credit on the Superman titles, along with William Moulton Marston being given the byline for creating Wonder WomanBatman stories began saying "Created by Bob Kane" in addition to the other credits.
Finger did not receive the same recognition. While he had received credit for other DC work since the s, he began, in the s, to receive limited acknowledgment for his Batman writing; in the letters page of Batman February for example, editor Julius Schwartz names him as the creator of the Riddlerone of Batman's recurring villains.
However, Finger's contract left him only with his writing page rate and no byline. Kane wrote, "Bill was disheartened by the lack of major accomplishments in his career. He felt that he had not used his creative potential to its fullest and that success had passed him by. Jerry Robinsonwho also worked with Finger and Kane on the strip at this time, has criticized Kane for failing to share the credit. He recalled Finger resenting his position, stating in a interview with The Comics Journal: Bob made him more insecure, because while he slaved working on Batman, he wasn't sharing in any of the glory or the money that Bob began to make, which is why That was one thing I would never forgive Bob for, was not to take care of Bill or recognize his vital role in the creation of Batman.
As with Siegel and Shuster, it should have been the same, the same co-creator credit in the strip, writer, and artist. This statement is fraudulent and entirely untrue. However, if one wants the 'credit', then one has to cease being a 'ghost' or follower and become a leader or innovator.
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In those days it was like, one artist and he had his name over it [the comic strip] — the policy of DC in the comic books was, if you can't write it, obtain other writers, but their names would never appear on the comic book in the finished version.
So Bill never asked me for it [the byline] and I never volunteered — I guess my ego at that time. And I felt badly, really, when he [Finger] died.
Dawn of Justice and the second season of Gotham after a deal was worked out between the Finger family and DC. Arkham Knight Genesis 3. The updated acknowledgment for the character appeared as "Batman created by Bob Kane with Bill Finger". Cover art by Bob Kane. Finger said, "Batman was originally written in the style of the pulps",  and this influence was evident with Batman showing little remorse over killing or maiming criminals.
Batman proved a hit character, and he received his own solo title in while continuing to star in Detective Comics. By that time, Detective Comics was the top-selling and most influential publisher in the industry; Batman and the company's other major hero, Superman, were the cornerstones of the company's success.
Creators including Jerry Robinson and Dick Sprang also worked on the strips during this period. Over the course of the first few Batman strips elements were added to the character and the artistic depiction of Batman evolved. Kane noted that within six issues he drew the character's jawline more pronounced, and lengthened the ears on the costume. The character's origin was revealed in 33 Nov.
Written by Finger, it depicts a young Bruce Wayne witnessing his parents' murder at the hands of a mugger. Days later, at their grave, the child vows that "by the spirits of my parents [I will] avenge their deaths by spending the rest of my life warring on all criminals". That story prompted editor Whitney Ellsworth to decree that the character could no longer kill or use a gun.
The impact of this editorial approach was evident in Batman comics of the postwar period; removed from the "bleak and menacing world" of the strips of the early s, Batman was instead portrayed as a respectable citizen and paternal figure that inhabited a "bright and colorful" environment.
In the story "The Mightiest Team in the World" in Superman 76 JuneBatman teams up with Superman for the first time and the pair discover each other's secret identity. Batman comics were among those criticized when the comic book industry came under scrutiny with the publication of psychologist Fredric Wertham 's book Seduction of the Innocent in Wertham's thesis was that children imitated crimes committed in comic books, and that these works corrupted the morals of the youth.
Wertham criticized Batman comics for their supposed homosexual overtones and argued that Batman and Robin were portrayed as lovers. The tendency towards a "sunnier Batman" in the postwar years intensified after the introduction of the Comics Code. Batman's adventures often involved odd transformations or bizarre space aliens.
Bob Kane noted that, as a result, DC was "planning to kill Batman off altogether". He presided over drastic changes, beginning with 's Detective Comics Maywhich was cover-billed as the "New Look". Schwartz introduced changes designed to make Batman more contemporary, and to return him to more detective-oriented stories.
He brought in artist Carmine Infantino to help overhaul the character. The Batmobile was redesigned, and Batman's costume was modified to incorporate a yellow ellipse behind the bat-insignia. The space aliens, time travel, and characters of the s such as Batwoman, Ace, and Bat-Mite were retired. Bruce Wayne's butler Alfred was killed off though his death was quickly reversed while a new female relative for the Wayne family, Aunt Harriet, came to live with Bruce Wayne and Dick Grayson.
The success of the series increased sales throughout the comic book industry, and Batman reached a circulation of close tocopies. Although both the comics and TV show were successful for a time, the camp approach eventually wore thin and the show was canceled in In the aftermath, the Batman comics themselves lost popularity once again. As Julius Schwartz noted, "When the television show was a success, I was asked to be campy, and of course when the show faded, so did the comic books.
I went to the DC library and read some of the early stories. I tried to get a sense of what Kane and Finger were after. Few stories were true collaborations between O'Neil, Adams, Schwartz, and inker Dick Giordanoand in actuality these men were mixed and matched with various other creators during the s; nevertheless the influence of their work was "tremendous".
The Animated Serieswhich debuted in The comic book, which tells the story of a year-old Batman coming out of retirement in a possible future, reinvigorated interest in the character. The Dark Knight Returns was a financial success and has since become one of the medium's most noted touchstones. O'Neil operated under the assumption that he was hired to revamp the character and as a result tried to instill a different tone in the books than had gone before.
Writer Alan Moore and artist Brian Bolland continued this dark trend with 's page one-shot Batman: The Killing Jokein which the Joker, attempting to drive Commissioner Gordon insane, cripples Gordon's daughter Barbaraand then kidnaps and tortures the commissioner, physically and psychologically.
The Batman comics garnered major attention in when DC Comics created a number for readers to call to vote on whether Jason Toddthe second Robin, lived or died.
Voters decided in favor of Jason's death by a narrow margin of 28 votes see Batman: A Death in the Family. Writers Doug MoenchChuck Dixonand Alan Grant worked on the Batman titles during "Knightfall", and would also contribute to other Batman crossovers throughout the s.
Along with longtime collaborator Tim Sale, they wrote two miniseries The Long Halloween and Dark Victory that pit an early in his career version of Batman against his entire rogues gallery including Two-Facewhose origin was re-envisioned by Loeb while dealing with various mysteries involving serial killers Holiday and the Hangman.
InLoeb teamed with artist Jim Lee to work on another mystery arc: Hush " for the main Batman book. The 12—issue storyline has Batman and Catwoman teaming up against Batman's entire rogues gallery, including an apparently resurrected Jason Toddwhile seeking to find the identity of the mysterious supervillain Hush. The series became 1 on the Diamond Comic Distributors sales chart for the first time since Batman Oct.
Written by Frank Miller and drawn by Jim Lee, the series was a commercial success for DC Comics,   although it was widely panned by critics for its writing and strong depictions of violence. Most notably of these elements were the science fiction themed storylines of the s Batman comics, which Morrison revised as hallucinations Batman suffered under the influence of various mind-bending gases and extensive sensory deprivation training.
Morrison's run climaxed with "Batman R. In the miniseries Batman: The Return of Bruce Wayne saw Bruce travel through history, eventually returning to the present day. Although he reclaimed the mantle of Batman, he also allowed Grayson to continue being Batman as well. Bruce decided to take his crime-fighting cause globally, which is the central focus of Batman Incorporated. Also, Bruce appeared in another ongoing series, Batman: The New 52 See also: The New 52 In SeptemberDC Comics' entire line of superhero comic books, including its Batman franchise, were canceled and relaunched with new 1 issues as part of the New 52 reboot.
Dick Grayson returns to the mantle of Nightwing and appears in his own ongoing series. While many characters have their histories significantly altered to attract new readers, Batman's history remains mostly intact.
Batman Incorporated was relaunched in — to complete the "Leviathan" storyline. With the beginning of the New 52, Scott Snyder was the writer of the Batman title. His first major story arc was " Night of the Owls ", where Batman confronts the Court of Owlsa secret society that has controlled Gotham for centuries.
The second story arc was " Death of the Family ", where the Joker returns to Gotham and simultaneously attacks each member of the Batman family. The third story arc was " Batman: Zero Year ", which redefined Batman's origin in The New It followed Batman 0, published in Junewhich explored the character's early years. The final storyline before the " Convergence " storyline was " Endgame ", depicting the supposed final battle between Batman and the Joker when he unleashes the deadly Endgame virus onto Gotham City.
The storyline ends with Batman and the Joker's supposed deaths. Starting with Batman vol. However, Bruce Wayne is soon revealed to be alive, albeit now suffering almost total amnesia of his life as Batman and only remembering his life as Bruce Wayne through what he has learned from Alfred.
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