20 Fun Facts About Minnie Mouse - thebluetones.info
Minnie Mouse is such a favorite of so many Disney lovers. then took over as the voice of Minnie and Minnie has been only voiced by women since. Kind of weird when you think about all the times Mortimer tried to date Minnie Both of them first appeared in Steamboat Willie on November 18, If Mickey Mouse is the world's most famous mouse, Minnie is surely the world's Premiering with Mickey in late 's Steamboat Willie, this She has since made a cameo in a feature film, starred in more including details and tickets for all of the most up-to-date programs, workshops, events, and more. Mickey & Minnie Dating Since still not married.
A female cow and male horse were also rejected. They would later turn up as Clarabelle Cow and Horace Horsecollar. A male frog was also rejected. It would later show up in Iwerks' own Flip the Frog series.
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These inspired Ub Iwerks to create a new mouse character for Disney. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. May Learn how and when to remove this template message The silhouette of Mickey Mouse's head has become an iconic image Throughout the earlier years, Mickey's design bore heavy resemblance to Oswaldsave for the ears, nose, and tail.
Disney employees John Hench and Marc Davis believed that this design was part of Mickey's success as it made him more dynamic and appealing to audiences. Mickey's circular design is most noticeable in his ears. In animation in the s, Mickey's ears were animated in a more realistic perspective.
Later, they were drawn to always appear circular no matter which way Mickey was facing.
This made Mickey easily recognizable to audiences and made his ears an unofficial personal trademark. The circular rule later created a dilemma for toy creators who had to recreate a three-dimensional Mickey. Inanimator Fred Moore redesigned Mickey's body away from its circular design to a pear-shaped design.
Colleague Ward Kimball praised Moore for being the first animator to break from Mickey's " rubber hoseround circle" design. Although Moore himself was nervous at first about changing Mickey, Walt Disney liked the new design and told Moore "that's the way I want Mickey to be drawn from now on. Disney said that this was both an artistic and financial decision, explaining "Artistically five digits are too many for a mouse.
His hand would look like a bunch of bananas. Financially, not having an extra finger in each of 45, drawings that make up a six and one-half minute short has saved the Studio millions.
The use of white gloves would prove to be an influential design for cartoon characters, particularly with later Disney characters, but also with non-Disney characters such as Bugs BunnyWoody WoodpeckerMighty Mouseand Mario.
Mickey's eyes, as drawn in Plane Crazy and The Gallopin' Gauchowere large and white with black outlines. In Steamboat Williethe bottom portion of the black outlines was removed, although the upper edges still contrasted with his head. Mickey's eyes were later re-imagined as only consisting of the small black dots which were originally his pupils, while what were the upper edges of his eyes became a hairline. This is evident only when Mickey blinks.
Fred Moore later redesigned the eyes to be small white eyes with pupils and gave his face a Caucasian skin tone instead of plain white. This new Mickey first appeared in on the cover of a party program, and in animation the following year with the release of The Pointer.
Some of Mickey's early appearance, particularly the gloves, and facial characteristics, evolved from blackface caricatures used in minstrel shows. Before Mickey was seen regularly in color animation, Mickey's shorts were either red or a dull blue-green.
With the advent of Mickey's color films, the shorts were always red. Animation history Debut Mickey's first appearance in Steamboat Willie Disney had Ub Iwerks secretly begin animating a new cartoon while still under contract with Universal. The cartoon was co-directed by Walt Disney and Ub Iwerks. Iwerks was the main animator for the short and reportedly spent six weeks working on it. In fact, Iwerks was the main animator for every Disney short released in and Hugh Harman and Rudolf Ising also assisted Disney during those years.
They had already signed their contracts with Charles Mintz, but he was still in the process of forming his new studio and so for the time being they were still employed by Disney. This short would be the last they animated under this somewhat awkward situation. Though understandably disappointed, Walt went on to produce a second Mickey short, The Gallopin' Gauchowhich was also not released for lack of a distributor.
It was co-directed by Walt Disney and Ub Iwerks. Although it was the third Mickey cartoon produced, it was the first to find a distributor, and thus is considered by The Disney Company as Mickey's debut. Willie featured changes to Mickey's appearance in particular, simplifying his eyes to large dots that established his look for later cartoons and in numerous Walt Disney films.
Fleischer Studiosheaded by brothers Dave and Max Fleischerhad already released a number of sound cartoons using the DeForest system in the mids. However, these cartoons did not keep the sound synchronized throughout the film. For Willie, Disney had the sound recorded with a click track that kept the musicians on the beat.
This precise timing is apparent during the "Turkey in the Straw" sequence when Mickey's actions exactly match the accompanying instruments. Animation historians have long debated who had served as the composer for the film's original music. This role has been variously attributed to Wilfred Jackson, Carl Stalling and Bert Lewis, but identification remains uncertain.
Walt Disney himself was voice actor for both Mickey and Minnie and would remain the source of Mickey's voice through for theatrical cartoons. Audiences at the time of Steamboat Willie's release were reportedly impressed by the use of sound for comedic purposes.
Sound films or "talkies" were still considered innovative.
The first feature-length movie with dialogue sequences, The Jazz Singer starring Al Jolsonwas released on October 6, Within a year of its success, most United States movie theaters had installed sound film equipment. Walt Disney apparently intended to take advantage of this new trend and, arguably, managed to succeed.
Most other cartoon studios were still producing silent products and so were unable to effectively act as competition to Disney. As a result, Mickey would soon become the most prominent animated character of the time. Walt Disney soon worked on adding sound to both Plane Crazy and The Gallopin' Gaucho which had originally been silent releases and their new release added to Mickey's success and popularity. A fourth Mickey short, The Barn Dance, was also put into production; however, Mickey does not actually speak until The Karnival Kid in when his first spoken words were "Hot dogs, Hot dogs!
ByFelix would lose popularity among theater audiences, and Pat Sullivan decided to produce all future Felix cartoons in sound as a result. In Mickey's early films he was often characterized not as a hero, but as an ineffective young suitor to Minnie Mouse. The Opry House March 28, was the first time in which Mickey wore his white gloves. Mickey wears them in almost all of his subsequent appearances and many other characters followed suit.
Her main outfit consisted of a short flapper girl dress that often revealed her distinctive patched knickers. In the cartoon The Karnival Kidit was also revealed that she wears black stockings which were also fashionable among flapper girls. Her shoes are probably her most distinctive article of clothing. For comedic effect, she wears oversized high heeled pumps that are too big for her feet.
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Her heels often slip out of her shoes, and she even loses her shoes completely in The Gallopin' Gaucho. When she walked or danced, the clip clop of her large pumps was usually heard clearly and often went with the rhythm of the music that was played in the background. Along with Mickey, she was redesigned in Her hat was replaced with a large bow, and bows were added to her shoes as well. Her eyes were also given more detail.
Throughout the forties and fifties, her look and personality became more conservative. Minnie almost always wears red or pink, but in her early appearances, she could be seen wearing a combination of blue, black or green when not depicted in black and white.
Minnie's early personality is cute, playful, musical and flirtatious. She often portrays an entertainer like a dancer or a musician that Mickey is trying to win the affection of. Part of the comedy of these early shorts is the varying degree of success Mickey has in wooing Minnie. Unlike later cartoons after the redesign, Minnie often becomes a damsel in distress that Mickey tries to rescue.
She is also subject to a lot of slapstick and rubber hose animation gags. Over the course of the thirties, Minnie's and Mickey's relationship solidified and they eventually became a steady couple. Minnie first appeared in Plane Crazy.
She accepts the invitation but not his request for a kiss in mid-flight. Mickey eventually forces Minnie into a kiss but this only results in her parachuting out of the plane. This first film depicted Minnie as somewhat resistant to the demanding affection of her potential boyfriend and capable of escaping his grasp.
Their debut, however, featured the couple already familiar to each other. The next film featuring them was The Gallopin' Gaucho. We find Minnie employed at the Cantina Argentina, a bar and restaurant established in the Pampas of Argentina. She performs the Tango for Mickey the gaucho and Black Pete the outlaw.
Both flirt with her but the latter intends to abduct her while the former obliges in saving the Damsel in Distress from the villain. All three characters acted as strangers first being introduced to each other. But it was their third cartoon that established the definitive early look and personality of both Mickey and Minnie, as well as Pete. Steamboat Willie was the third short of the series to be produced but released first on November 18, Pete was featured as the Captain of the steamboatMickey as a crew of one and Minnie as their single passenger.
The two anthropomorphic mice first star in a sound film and spend most of its duration playing music to the tune of " Turkey in the Straw ".
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Minnie's Yoo-Hoo[ edit ] Her next appearance was arguably more significant. Mickey's Follies June 26, featured the first performance of the song " Minnie's Yoo-Hoo ". Mickey then proceeds in explaining his reaction to Minnie's call. The song firmly establishes Mickey and Minnie as a couple and expresses the importance Minnie holds for her male partner.
Damsel in distress[ edit ] Her final appearance for the year was in Wild Waves carried by a wave into the sea. She panics and seems to start drowning. Mickey uses a row boat to rescue her and return her to the shore but Minnie is still visibly shaken from the experience. Mickey starts singing the tune of "Rocked in the Cradle of the Deep,", a maritime ballad, in an apparent effort to cheer her up.
Minnie cheers up and the short ends. This is the second time Minnie is placed in danger and then saved by her new boyfriend. It would not be the last. In fact, this was the case with her next appearance in The Cactus Kid April 12, Minnie was again cast as the local tavern dancer who is abducted by Peg-Leg Pedro Black Pete in his first appearance with a peg-leg. Mickey again comes to the rescue. The short is considered significant for being the last short featuring Mickey and Minnie to be animated by Ub Iwerks.
Among them, Clarabelle seems to be the actual star of the short. Director Burt Gillett turned in another enjoyable entry in the series, proved that production could go on without Iwerks. This was arguably the first time Minnie was upstaged by a female co-star. She spends the duration of the short in mortal peril but is rescued by firefighters under Chief Mickey Mouse.
Horace Horsecollar is among the firefighters. An unnamed cow in the background is possibly Clarabelle making a cameo. The next entry in the series is considered curious: The Gorilla Mystery October 1, Mickey learns of it and panics. He phones Minnie to warn her about the dangerous gorilla wandering about. Minnie is unconcerned and plays tunes on her piano for Mickey to hear over the phone and know she is not afraid.
Her tunes are interrupted by her scream and Mickey rushes to her house to save her. Meanwhile, Beppo has wrapped up Minnie in rope and holds her hostage. Mickey confronts the gorilla and once again rescues the damsel in distress. The short ends with Minnie and Mickey jointly wrapping up the gorilla in rope. Modern audiences have commented on elements of bondage apparent in the short and the mysterious motivation of Beppo.